Reading through “Winter in a Warehouse” Essay

â€Å"Winter in a Warehouse,† is about a group of warehouse women on their way to and from the washroom of the milling company. The washroom is in the office building which is a considerable distance from the women’s workplace, the warehouse. As it is winter, the trek from one building to the other becomes a tedious and an unwished-for errand. The atmosphere is cold and hostile as the people they come across with. The short journey evokes in the narrator’s mind several issues – gender, class and social status – between the warehouse women and the rest of the characters in the poem. In â€Å"Winter in a Warehouse,† Anne Spillard speaks about the condition of the lower- class working women in the latter-day industrial society. The poem started with the narrator’s voice fondly recalling the image of his grandfather, â€Å"Grandad ‘goes for a loo */Behind the old chimbly† (lines 1-2), from a long time ago. The tone here is friendly, the language is colloquial and the mood is gay. Grandad, being old, â€Å"Dragging his feet in carpet slippers† (3), is also probably retired from his work in the mill. The use of grandfather in the poem suggests time difference. The corrugated iron â€Å"Where the wind flaps rusty limbs/ Of corrugated iron† (7-8), denotes a time long gone by. It is probably 40 to 50 years ago since grandfather worked in that company when manufacturing firms employed mostly men in its workforce. Noting the narrator’s familiarity with the setting, it is likely that he or she is a third generation worker employed in the same mill or factory that his grandparent worked for. Grandfather finds the long walk to the office tiresome, â€Å"†¦ ‘It’s too far to trail/ ‘T ‘ the bloody office’ (4-5), so he simply decides to pee against the chimney by the bank. The narrator seems to perceive this as an unusual gesture, â€Å"And pees against the great black chimney† (9). The chimney, great and black, is a thing of significance and not to be trifled with. Grandfather’s peeing where he pleased perhaps constitutes defiance of the convention on peeing and of what the chimney signifies. On the other hand, the narrator’s voice registers a suspicion about grandad’s account, â€Å"Or so he tells us† (10). It implies that grandfather could be lying, that perhaps it is not that easy to break the company regulation as well as the convention. It is only at the 10th line, with the use of â€Å"us† that the narrator is revealed. They are women workers stationed in the warehouse gone for a walk to the office building within the company compound to wash their empty coffee cups and to pee. Upon arriving there, they see the millpond nearby, â€Å"Down to the office/ Where the mill manager used to sit† (12-13). The mill manager, like the grandfather, is a representation of an era gone by. In the early stage of industrialization, it was the manager, who was usually also the owner of the business, who conducted his businesses in an office with the help of a staff or two. He was also visible in the company premises. In more recent times, with further division of labor and the expansion of industrialization, the manager has normally taken to holding his office in an inner chamber within the office building. He is scarcely visible to the workers and as such, there is usually a layer of office staffs that deals with the rank and file or the ordinary workers of the company. It is these office girls that the warehouse women came across with when they went to the office premises to have use of the washroom. The office girls act and speak superior to the warehouse women. They address the women collectively, in a cold and impersonal manner. The washroom is in a state of disrepair, â€Å"Melted snow drips through the washroom ceiling† (18). The water at the mains must be turned on first before the women could flush the toilet. The male washroom, â€Å"†¦ it’s leaking. † (23). These little details describe the ambience of the washroom area – old, ill-kept and deteriorating. And yet, the office girls almost begrudge them for using it. â€Å"‘You warehouse people always arrive/ ‘Just when we’ve boiled the kettle/ ‘for elevenses,’ the office girls rebuke us. † (15-17). The warehouse women do not have a washroom in their workplace. In the period described in this poem, even answering the call of nature, presents a problem. Unlike men, women cannot urinate anywhere. Furthermore, in most manufacturing companies, peeing is only allowed during designated breaks. One girl even goes so far as to point to out to the women that the male washroom must not be used, â€Å"Don’t use the Gents, †¦Ã¢â‚¬  (21). Perhaps, the reminder is unnecessary, as the women have been coming there on the same errand for years and are aware of the fact. It is also not far to suppose that the Gents has not been working for decades. Thus, the part about the male toilet leaking is a take on the grandfather’s story. Perhaps, the male workers in the mill were not subjected to strict regulation on peeing only because the male toilet was leaking. Throughout the poem, the voice constantly changes: from the third person singular (lines 1-10), to first person plural (11-14), to second person plural (15-17), to third person plural(18), back to first person plural (19-20), to third person singular (21-23), and lastly, to third person plural (24-31), making it vibrant and giving the reader the feeling that the characters are performing before him. It also shows the individuality or lack of, the characters within the poem. Nina, one of the office girls, has a distinct voice and she has a name. In contrast, the warehouse women are only referred to as â€Å"us,† â€Å"we† and â€Å"warehouse women. † The warehouse women have only one voice: the voice of a group. The office girls have their voice as a group and their individual voices as persons apart. Despite the office being heated, perfumed and powdered, the narrator notices that â€Å"the office girls sit shivering† (24), a hint that their thinner clothing cause them discomfort during winter. On the other hand, the warehouse women have become indifferent to the coldness. Why? It is because winter is the all-year season inside the warehouse. What is not mentioned here but is implied is the suffering of the warehouse women doing hard, manual and routine labor, whose enclosed workplace is perhaps unheated, full of fumes and dust, and dark as one could imagine. Towards the end of the poem, the engaging voice at the beginning seems to have become somebody else, an alienated figure viewing a scene that he is not part of, But the warehouse women, Shapeless in heavy sweaters and wooly longjohns, Trudge back through the snow, No longer noticing this winter Which may last forever Inside the blankness of their warehouse. The poem begins on a cheerful note, in an informal way and in a youthful voice, with a fond recollection of one’s grandfather and his days. It ends on a cheerless, aged and serious tone about a group of women trudging their way back to the warehouse across the snow, oblivious of the season and what it might bring to them.